Sunday, December 28, 2014

Gone Fishin'

Yesterday, a previous DSW guest left me a Facebook message: "Star Wars is a still a total waste of your time." 

I couldn't agree more.

Because Star Wars is just that - something designed to waste our time in a fun way. 

However, time is precious. For the past year or so, I've debated on closing up shop on Digging Star Wars. After all, it's been a good, four-year run and maybe it's time to call it quits.

It doesn't help that LucasFilm & launched a similar Star Wars/classic film comparison blog in 2013 based on the same  idea we rolled out in 2010. While "The Cinema Behind Star Wars" offers some unique insights and a few new films, it's pretty much rehashing the exact same catalog of films we explored prior. 

My blog is a small, mom-and-pop shop trying to compete with a big box store. It just can't be done.

And, yes, I truly am excited about The Force Awakens and, yes, this may be the worse time to pull the plug on a Star Wars-themed blog and miss out on the potential web traffic I could get with the ongoing Episode VII's time.

I've learned never to say "never again" - so, instead of ending Digging Star Wars forever, I'm hanging up the GONE FISHIN' sign.

Digging Star Wars: Jurassic Park 3D episode guest and my son Peter (and one of his many catches).
I'm going to step away, explore some other creative opportunities, and mull over the idea of returning to (or reinventing) Digging Star Wars. 

Until then, I'm leaving the blog up for all to enjoy. If you're so inclined: post a comment. Tell us your favorite episode or your least favorite...and why. I always loved seeing the posts and emails come in from our listeners and followers worldwide.

Most of all, thank you for reading, listening, and supporting this blog that started as a project in a Critical Pedagogy class at West Chester University of Pennsylvania. Thanks for posting comments on any and every episode and especially when I made special episodes designed for other classes. I was never shy for asking for comments when a grade was on the line and you never let me down. 

Thanks to my many guests that brought so much to the table - not just their time and insights, but often their own studios, gear, and talents (several guests edited episodes for me or even wrote and recorded original music specifically for our audio entries).

Thanks for joining in on the fun venture that was...and will remain...Digging Star Wars.

Saturday, November 29, 2014

Star Wars: Episode VII - The Force Awakens Teaser Trailer

Black Friday this year brought more than bargains, as Disney released the first trailer for the new Star Wars movie online and in select theaters! Why pretty much everything thing that could be said about it has been said online, I just needed to point out how happy I am that the connectivity to classic films such as TheDam Busters, Saving Private Ryan, 2001, Fort Apache and, of course, the original Star War trilogy! See for yourself…

Monday, October 20, 2014

FREE Digging Star Wars MP3s

This Halloween, Digging Star Wars is turning 4 years old! 

To celebrate, we're offering ALL previous DSW podcasts as FREE downloadable MP3s! Just click on the Dropbox link below and download any episodes you want!

Special thanks to Clone Wars review guest, Josh Taback for creating the MP3s and the dropbox!

Enjoy, thanks for listening and Happy Halloween!

Monday, September 29, 2014

2001: A Space Odyssey, The Phantom Menace, and Jeff Gordon wins at Dover

Yesterday, NASCAR driver Jeff Gordon – who raced the #24 Phantom Menace paint-scheme car back in 1999 – won the first race of the 2014 Chase for the Sprint Cup. I attended this race in Dover International Speedway in Delaware donning my #24 Star Wars Episode I cap.

Little did I know,  I would unravel the final thread on the 2001/Episode I connections in Dover…

Prior to the race, for the past few weeks, I’ve had my share middle-of-the-night movie watching - thanks to my teething one-year-old. In those sleepless nights, I’ve re-watched Stanley Kubrick’s sci-fi classic 2001: A Space Odyssey and Star Wars: Episode I – The Phantom Menace. As many of you know, there is a delicious Easter Egg in Episode I that visually points to 2001.

An EVA pod from 2001 lies just inside Watto’s junkyard, where Watto and Qui-Gon Jinn have a conversation about paying for the spare parts the Jedi needs to repair Queen Amidala’s spaceship. Here is a still from 2001 showing several pods on the left...


And here is the scene from Phantom Menace featuring the 2001 pod. 
Look just to the right of Watto's flapping wings...

While there are additional scenes and nuances shared by both films, I’d like to hone in on this whole “pod” business first.  I want to stress that the 2001 spaceship is known as a POD and this is the beginning scene that will make up an act in Episode I that climaxes with… wait for it… a PODrace, as in Anakin will race his own PODracer to get the spare parts Qui-Gon and company needs (and secure his own freedom from slavery). Now, when we first see the 2001 EVA pod in the background, we haven’t heard the term “pod” or “podrace” in Phantom Menace, but it serves as a visual indicator.

Sci-fi fans who had already seen 2001 prior to their first viewing of Episode I (like me), may have thought, “Oh, that’s cool. That’s the POD from 2001.” When the term “podrace” is first mentioned by Anakin a few minutes later in the film, we’re not thinking about the junkyard visually – or remembering the EVA pod we saw there. And yet, we will return to that location to secure the deal with Watto for the podrace scene to occur. A few minutes later, before the podrace begins, Qui-Gon makes deal with Watto. If Anakin pilots his pod to victory, Watto must release him from slavery. In other words, Anakin will be TRANSFORMED into a new stage of his life…to be free, to become a Jedi and, ultimately, to become Darth Vader.

In 2001, main character and space traveler Dave Bowman is also transformed into his (and humanity’s) next life stage when he travels in his pod into the monolith. After steering his pod into the monolith, Dave travels across a luminous, alien landscape that ends with his aging and transformation into a “star child.”

So, what does my trip to the NASCAR race at Dover have to do with any of this? Well, now having attended a NASCAR race, I must say that Lucas and crew did an excellent job creating the racing experience in the podrace. Lucas made it very clear that he wanted the podrace in Episode I to feel “very NASCAR.” The cast of interesting characters in the stands, the intense sounds and visuals of the race and so many other aspects of Dover really hit me and reminded me of the podrace scene (arguably the BEST part of Episode I). 

But, after our one-time Phantom Menace driver Jeff Gordon won yesterday, I learned an interesting fact. It’s been YEARS since Gordon won at Dover. How long? 

The last time Jeff Gordon won at Dover was the calendar year 2001.

On that note, here are some other interesting similarities/coincidences shared between 2001: A Space Odyssey and Star Wars: Episode I – The Phantom Menace:

  •  Early on in each film, characters take a space flight to attend a business meeting on a space station. In 2001, Dr. Heywood R. Floyd (William Sylvester) travels via Pan Am space plane to a circular space station. 
    In Episode I, cruiser Radiant VII carries Qui-Gon (Liam Neeson) and Obi-Wan (Ewan McGregor) to a circular Trade Federation space station.

  •  A robot in plain sight eavesdrops on two mortal characters having a life-or-death conversation. In 2001, Dr. David Bowman (Keir Dullea) and Dr. Frank Poole (Gary Lockwood) talk in a docked EVA pod while the HAL-9000 lip reads their conversation.
    In Episode I, two Neimoidian aliens fearfully debate who will
     talk to the two Jedi. Protocol droid TC-1, who is idly standing by,  is ordered to go into the conference room.

  • Characters “struggle” to get through circular portals. In 2001, a Pan Am stewardess uses Velcro-slippers to navigate the weightlessness of outer space to enter a circular portal “upside down.”
    Episode I, Qui-Gon uses his lightsaber to cut through circular blast doors.

  • Stuart Freeborn, the man responsible for designs of Wookies, Yoda and Jabba the Hutt – also worked on the ape-suits in the DAWN OF MAN sequence in 2001.

Friday, August 22, 2014


Digging Star Wars is very excited to announce the first ever DIGGING STAR WARS 6-NIGHT FILM CLASS through the Downingtown Area Recreation Consortium! Here's the write-up in the DARC catalog (and please forgive the typo - we all know Ep7 is coming out in 2015):

Star Wars and Movie fans,  I promise more great, classic movies and geeky conversations overflowing with delicious tidbits of  trivia. So, if you will be in Chester County, PA this Fall - why not sign up? Here's an application for your convenience....

For more information on Downingtown Area Recreation Consortium, go to:

Sunday, August 17, 2014

In Loving Memory of Buck Nonnemaker

Many people that belong to our Digging Star Wars group knew Buck Nonnemaker. For those of you who don't: he was a great guy that fought cancer for years and just passed away this week. A loving father, good friend, caring co-worker, expert videographer, classic film fan - the list goes on and on of what Buck was to so many people. Simply put: Buck was one of us, only ten times nicer. Please consider donating whatever you can to The Buck Foundation - which hopes to carry on the fight against cancer. To borrow from Yoda, when it comes to your donation "size matters not." Just do what you can - if you can. Thanks....

Buck and I also belonged to a film group with our frequent guest and friend, Phil Congleton. Phil has saved some of Buck's movie reviews of classic films. Here's a sampling of Buck's writings on classic films from 1961...

The Hustler (1961)
This one was packed full of talent. Paul Newman, Jackie Gleason, George C. Scott all gave terrific performances. Gleason as Minnesota Fats didn’t have to say much. Just the way he looked at people and moved around a pool table spoke volumes. Scott’s sleaze ball character was brilliant as I found myself despising him for his obvious love of cash and apathy of everything else. And, of course, young “blue eyes” (may he rest peacefully) was a perfect fast Eddie, hot headed, showing his youth by acting invincible. The opening scene of the 25-hour pool game moved seamlessly replete with anticipation. After that this movie slowed down tremendously. Sara and Eddie’s intentionally awkward “un” relationship took forever to not develop and drained some of the life out of the film. I did find Piper Laurie’s performance of the emotionless, on-again-off-again alcoholic strangely captivating. She gave a bit of perspective to Eddie that seemed to mature him upon her death. It’s just a shame he never got to tell her he loved her. Instead he had to tell “sleaze ball”. And yet again, love is more powerful than the fame and the fortune! – Grade: B+
Breakfast at Tiffany’s (1961)
I never knew that while I was making doo doo in my dipey a stunning and quirky Audrey Hepburn was bringing radiance to the silver screen. Holly Golightly (what a great name), seems to walk on air with a wonderful grace, even after 7 or 8 bourbons. And speaking of drinking … was there any character in this film that wasn’t a complete alcoholic. What a group of friends! What a party! George Peppard did a great job of trying to figure this crazy woman out while falling in love with her. I could have watched an entire movie of this couple wandering in and out of Tiffany’s, the library, the 5 & dime, anywhere that some spoofy conversation would perplex the poor salesperson behind the counter. And, boy, were the stereotypes flying around back in ’61. I mean, Mickey Rooney as Mr. Yushiani with big buckteeth and thick lens glasses hollering “I call da Porees!”, would not fly today. When Buddy Ebsen referred to Holly as “Lula Mae” I thought I was suddenly watching a rerun of the Beverly Hillbillies again. Was he Jed Clampett in everything he did? The final scene in the pouring rain really tugged at my heartstrings. I was so happy that she found the cat! – Grade: A
The Ladies Man (1961)
Let me guess... No one was nominated for an Academy Award in this one. Maybe it’s just me but Jerry Lewis desperately needs a Dean Martin. In the Lewis and Martin films I’ve seen Dean was always a wonderful set-up guy, smooth and straight, while Jerry could be a complete goofball to deliver the slapstick punch line. In this film, it appeared that Lewis was almost trying to be both the clumsy retard and the compassionate gentleman. Unfortunately, Herbert Herbert alone made for a very long 90 minutes. Don’t get me wrong, I laughed out loud when he attempted to straighten out the thug’s favorite hat or was spoon-fed in an oversized highchair (plenty of ad libbing in those scenes). But the laughs were few and far between. I did enjoy the theatrical feel the movie had with open sets and simple choreography. And the opening chain reaction sequence on the “street” was brilliant. I wished it could have lasted a bit longer. It seemed that every new character introduced in this film was crazier than the previous, making Herbert appear to be the normal one. – Grade: C+
The Night aka La Notte (1961)
Giovanni and Lydia have the fame and the fortune, the great Italian car, plenty of alcohol, fine cigars, lovely clothing, etc., etc. Yet they lack affection for one another. This film accurately portrays the ever-so-common tale of a couple that has grown bored with one another. Both attractive people that have taken for granted a partner that can provide compassion, intimacy, and affection to the other. Giovanni is so desperate for affection he finds himself in a wild-eyed crazy lady’s room whom kisses with teeth clenched, removes her clothes immediately inviting her visitor to enter her with carelessness… And the damn fool would have done it if it weren’t for two zealous nurses who break it up and proceed to beat the woman about the head. I suppose Giovanni had done nothing wrong. From that point on this film got slow and strange, or stranger. The party, which took up most of the second half, was full of oddball characters with money that all seemed to be yearning for something they didn’t have. But Lydia, who deserves all my respect, could not fool around on her husband. She attempted to keep her composure, even soaking wet, while her frustrated husband made every attempt to get under the skirt of the daughter of a man who just offered him an insanely lucrative job. Boys will be boys! - Grade: B-
One-Eyed Jacks (1961)
Yet another reason Brando is a household name. His smooth, almost sedated delivery and casual approach to killing make him a likeable liar in this one. And the girls just go gaga over that smile! Nuff about Marlon, how bout that Karl Malden? Just a few years before his overacting success on the hit drama “Streets of San Francisco”, we find him once again overacting but this time while flying over prairies by horse and demonstrating his skills of dance while intoxicated. Nothin’ more fun than a drunken politician! Actually, Malden does a pretty bang up job as bad guy turned sheriff. This film is replete with wide, static shots of rolling hills and gorgeous scenery. In fact throughout the movie the camera has very little movement creating a mellow, serene mood to depict the laidback attitude of the Wild West. I found this to slow the movie a bit and a few of the scenes dragged on. But back to Brando… is he cool or what? The scene where he is explaining just why it is necessary for him to kill the sheriff is brilliant. Gonna go watch me some more old Brando flicks! - Grade: B-
Through the Glass Darkly (1961)
The first half hour of this movie I felt was filled with generally boring dialogue contained in long deliberate scenes. Although some of the camera movement was interesting, Karin’s “incurable illness” was initially peculiar and unclear. The sound of a lone cello created eerie interludes and left me wondering if I would make it through this one. However, as the film moved on I realized that this young German actress did a fine job of portraying a woman struggling with dementia and schizophrenia. And crazy she was. God is a spider trying to penetrate her? Yea. That’s certified nuts! If I’m not mistaken brother Minus was the one who did the penetrating although that was never made clear. Papa’s retelling of his attempt at suicide was powerful and Martin’s unconditional love of Karin remarkable. Considering the story was two hours long based around four characters in one location, it kept me watching and wondering. As the story developed the dialogue became poetic and engaging presenting the struggle we all have with faith and where God is in all of this. - Grade: B+
Viridiana (1961)
Just another story about a pretty girl trying to become a nun and decides to visit her uncle one last time, he dresses her up in his widow’s wedding gown, drugs her coffee and then attempts to rape her. Pretty normal so far, right? Yeah, this one was quirky to say the least and got stranger as it went. Poor Viridiana was always trying to do the right thing. Unfortunately, that thing tended to blow up in her face. And vagrants will be vagrants. Taking in the homeless is commendable. Leaving them alone at the estate for several hours is just plain stupid. The beggars’ parody of the Last Supper got an audible chuckle out of me. But overall this film lacked plenty, moved slowly, and had me thinking if I were surrounded by all these lunatics, I would also want to hide away in a convent the rest of my mortal life. – Grade: C
The Pier aka La Jetee (1961)
I wasn’t sure if this one was going to count since it had a date of 1963 in the opening credits. ??? I loved the idea of using stills throughout this piece except for one brief moving video where the woman blinks. Some of the stills were so close in framing that it presented tension, paralleling the anguish of the human-turned-guinea pig. This circular story had my head spinning a bit but I couldn’t look away. The whispering voices were eerie and I wanted them to stop. The relationship with the woman, which appeared to be completely in his mind, left me wondering if the witnessing of his own death, unclear how he died, was also a fabrication of the psyche. - Grade: B+
Last Year at Marienbad (1961)
This film had a unique approach, an unusual, eeriness that drew me in. From the very start it had stunning camera movement winding down corridors and exploiting the architecture of this immense structure. In contrast, the people contained within the frame remained statuesque, motionless for the most part. The dialogue was poetic yet intentionally repetitious. A haunting organ provided the mood while the main characters were unnamed and had no depth to them whatsoever. A man attempting to convince an aloof woman that they had met a year prior at a similar affair was relentless. I had no way of knowing past from present, present from future, reality from fantasy as the scenes would change abruptly midway through a conversation. By the end, I was sure that this man had narrated his own ending, drawing the woman away from her husband, eyes glazed, elegantly departing with a man she had never met before. This was one of the strangest films I’ve seen in a long time. But, strange as I am, I loved it! – Grade: B+
Lola (1961)
Boy is bored and wants some excitement in his life. Boy quits job and finds a new one full of travel, intrigue, and suspense. Boy meets dancer girl and falls in love. Now boy doesn’t want to leave girl to travel with new job full of intrigue, etc. No matter. Girl doesn’t love him anyway but is in love with some guy who impregnated her with a boy and took off six years ago. He just wanted to make sure he got good and rich before he came back for them… I found this story silly and a fairly boring French chick flick. The acting was so-so and the scenes felt very deliberate in their approach. I also had a hard time figuring out what time of day it was in several of the scenes. Time to get Yvon off to school followed by meeting up for dinner at the new friends’ place. Yet the lighting and feel of the scenes felt identical as if no time had passed at all. The strangest part of the movie was the slo-mo sequence in which Frankie the sailor and young Cecile hop off of a ride, hand in hand, looking oddly like age lopsided sweethearts. Those French sure are peculiar. – Grade: C
Splender in the Grass (1961)
I know that teen love can be frustrating and confusing but these two teens went a little too quickly into crazy nut mode. C’mon get over yourselves and each other, please. I mean, two years in the rubber house! Is it possible there was something deeper to this than her boyfriend deciding he may want to be left alone a little? Now that that’s off my chest… Natalie Wood was downright adorable in 1961 and did a pretty good job as Deanie. She actually gave herself a decent new hairstyle considering she used a pair of hedge shears for the job. Beatty’s performance was fairly solid when he could slip a couple of lines in edgewise while his Dad hollered, scolded, spit, and sweat all over himself. Actually, I think Pat Hingle’s acting was the best in the bunch. It was a solid performance. Overall, the film moved a little slowly and carried a bit of redundancy to it. I enjoyed watching this one but soon realized that it only takes 30 seconds or so to conclude that being in love at 16 can be very difficult. – Grade: B-
West Side Story (1961)
I have to admit I was not looking forward to watching this one. I’m not big on musicals. But I found myself whistling “I want to live in America” the day after I watched it. This film has all kinds of music that has become standards over the years. In fact, “There’s a place for us” was sung at my own wedding. Go figure. I’ve probably mentioned this before but Natalie Wood was damn cute back in the ‘60s. She actually pulled off a pretty good Latino accent too. This street version of Romeo and Juliet was dripping with racial drama and choreography that came straight from the theatre stage. This couple was so instantly in love, you just knew somebody had to die. And how many times do you get to see street gangs clad in pastel shirts, tight pants, spinning circles in the ‘hood like ballerinas. Drained the testosterone right out of me! – Grade: C+

Rest in Peace, Buck. We miss you.

Monday, August 4, 2014

Robotech Academy ~ Kickstarted, Then Kicked to the Curb

Tonight, I sat down at the computer with my wallet in hand ready to donate to the Robotech Academy Kickstarter campaign ...only to find out that Harmony Gold cancelled the campaign a few days before the final deadline. Why? Because the funding stalled around $170K then trickled up to only $194K - several $100,000 short of it $500K goal. Here's the one of many RA Kickstarter videos:

I won't write a blog entry on why this campaign "failed" because someone already did that. And, as some of you know, I LOVE Robotech and have even written a paper on Robotech's treatment of Aliens vs. Hybrids which I presented at PASSHE in April 2012.

This blog entry was going to be a last minute plea for sci-fi fans to support the rebirth of a sprawling space opera that paved a path for Rebels and The Clone Wars (listen to our CW review #1 and #2 which mentions the Robotech/Clone Wars connections). Now, it's simply a memorial to another failed Robotech project. Nonetheless, I hope Harmony Gold figures out how to make Academy into a reality.